Moving and Handling of Clients Essay Example for Free

Moving and Handling of Clients Essay Most of the reported accidents are reported under RIDDOR- which is Reporting of Injuries, Diseases and Dangerous Occurrences Regulations. Accidents that cause injuries to backs, including hands, arms and feet. These accidents can occur wherever people work, in residential establishments, day centres, in peoples own homes, on farms, building sites, hospitals, shops and while making deliveries. The major cause of injuries is poor manual handling of goods. They account for 34% of all accidents at work; as a result, the government has introduced legislation regarding correct manual handling. The training for safe moving and handling allows me not just at work but in my private life to protect myself and others from serious and painful injuries. Risk assessments are carried out to help the employer find out what actions should be taken to comply with their duties under the Health and Safety Act. The Health and Safety Act 1974 lists the general duties for employers/ employee’s suppliers and others involved in the supply of goods and provision of services through work. What cases creates the risk, takes the responsibilities. Work forces also have responsibilities for their own manual handling. Organisations must provide machinery and equipment which are of safe use when transporting materials. Employees must have relevant information, instruction training and supervision with regards to lifting techniques. Every place of work should be kept in safe conditions, as an employee, we have a duty to care to comply with the rules, co-operate with employers and the use of any equipment and procedures for safety, informing our employer if there are any hazardous handling activities in our work. When moving and handling, acute and chronic injuries may occur, like the spine, the neck and lower back are the most mobile but could also get damaged. Slipped discs caused by twisting, joint strain, muscular tension. When assessing our work, we have to look at the load, the individual, the task or job and the environment. The maximum load that can be lifted is 25KG. Picking items up at our feet and put at chest level is 10KG and at arms length to head height is 5KG. The risk can be reduced if the correct equipment and method of lifting is undertaken. To reduce the risk, remove sharp edges, provide protective clothing, use gloves before starting to lift. We must think about the age, size, physical fitness, checking health conditions. Examples, heart, breathing and bad back. Major points of lifting  are to stop and think placing feet apart adopting good posture, don’t jerk or move the feet. The safety of the service users and care workers is paramount and care workers should take an active part in risk assessment. The Health and Safety fitness of each care worker should be frequently reviewed so that any problems can be dealt with quickly. This is as I already know as one of my responsibilities under the Health and Safety at Work Act, the safety of both service user and me is paramount and care workers all should take an active part in risk assessment.

Ridley Scot on Bladerunner and Frankenstein Essay Example for Free

Ridley Scot on Bladerunner and Frankenstein Essay Interviewer: Ridley Scot, thank you for taking the time to talk to us about your movie Blade Runner. It is quite an interesting film that raises a lot of issues and certainly makes us as an audience think and question out morality and our values. Ridley Scot: Well any great movie or film should indeed raise awareness to present day issues don’t you think? Interviewer: Indeed they should. And is that what you felt you should do with Bladerunner is raise awareness to the issues that you felt are predominant at the time? In watching Bladerunner I couldn’t help but notice the scope of the issues that you presented to the audience from environmental, personal, and political. The list goes on, so why did you choose to play upon these issues and fears? Ridley Scot: Those are ones that are close to my heart, being raised in a world where I was confronted daily by the fears of others in society in regards to war of nuclear weapons and the effect these would have on the environment and on humanity. I was constantly imagining all of the various scenarios that could arise due to such weapons of mass destruction being used, But also the wonders and fears of space exploration, the search for other life forms and the search for another planet that we as humans could utilise. Well it left me wondering. Why do we need another planet? Is it because of the fear of this one being destroyed due to war or was it just out of greed? Interviewer: So I’m guessing that the reasoning behind the environment in which you chose to stage Bladerunner. The post apocalyptic like environment with dim lighting and long dark shadows being cast, It certainly magnifies the fear of destruction. Not to mention those massive buildings sticking up into the sky and the dirty streets Ridley Scot: ah yes the shadows. The directors and I worked long and hard on creating that feeling of darkness and gloom. I wanted it to feel like the end of the world, and to show the destruction of the environment so what better way to do that than with a dirty city with no trees and little sunshine. Interviewer: In watching that it really becomes evident your fear of the environment being neglected in pursuit of science and greed, much like Mary Shelley, Author of Frankenstein. Many of her issues that she chose to place emphasis on were the battle between nature or science. Do you feel that this may have been partly the reasoning behind your choice in lighting, set and issues raised.. Ridley Scot: In some ways yes. Mary and I do share many of the same ideas and I was inspired by her writing when filming Bladerunner. I guess we both wanted to raise awareness to the issues of our times. I feel the one that we both shared and placed high emphasis on would be science and humanity. Interviewer: The great battle between the two. Do you think it is possible to find a balance between them? Ridley Scot: Whether it is possible or not I’m still not sure but I wanted to point out the dangers in taking one too far and disregarding the other. In Frankenstein the problem is Victors and Walton’s greed and obsession with science, much the same as in my movie. The pursuit of science and technology led to the destruction of the world and the disregard of humans. Interviewer: What do you mean by that? Ridley Scot: The creation of the beings, not quite human yet more human than humans themselves. In the pursuit of science the disregard for humanity, emotions and feelings led to the creation of replicants that were hollow to an extent. They were designed for no purpose other than to serve. Interviewer: Human greed Ridley scot: exactly yet in the pursuit to always reach beyond what has already been accomplished they created Rachel, who had emotions and feelings so human Interviewer: That even Deckard couldn’t tell she wasn’t a replicant. Ridley scot: That was a very important thing to show, how human she was despite being a replicant. What better way to show this than with camera angles? The conventions of film noir that I wanted to utilise here were the close up and zooming of her face in response to questions Deckard asked her and the use of film recording instruments to look into her eyes. We all know eyes are the gateway to the soul. Interviewer: But she is a replicant, they aren’t supposed to be human, contain emotion or have a soul? Ridley scot: Ah you see but I believe a soul does not actually determine humanity, in the end isn’t Rachel more human than many of the humans themselves? Much like the creature in Mary Shelley’s Frankenstein, only she cannot use film to show this Interviewer: No but thankfully being raised in the romantic era and writing with influence of Romanticism Mary wrote with such expressive language, and her literary influences being included into the creatures own readings was brilliant in creating the human emotions within the creature himself. Ridley scot: I was inspired by her descriptive writing. How she could get so much across without pages and pages of dialogue. I felt that if I could do the same with Bladerunner through cinematic techniques then it would be more efficient in getting my messages across to the audience. That’s why in intense scenes, like that of the Death of Zhora there is no dialogue just raw emotions. Interviewer: The raw emotions are evident. The slow motion camera angles as she smashes through the glass is so powerful the pain on her face is evident as she gets shot and it sends shivers down my spine. Ridley Scot: The slow motion in this scene was very important. If it went to fast then the magnitude of the scene would be lost so we slowed it all down and the dark, sad, melodic music to the scene as well to provoke more feelings out of the audience. We chose to use a lot of glass to reflect the magnitude of various colours. All of this at once adds for a vary disjointed fragile environment Interviewer: again more styles and conventions of film noir Ridley scot: Well those conventions really helped to heighten the emotions within this scene, Interviewer: And the camera cuts between the two of them, watching Deckard’s Determination to kill Zhora and Zhora’s determination to survive. Ridley Scot: It certainly makes you question doesn’t it? After this pursuit of science and the disregard for humanity, nature, and the change in beliefs and values in the creation of these replicants who are not supposed to show emotions or feeling- Such important aspects of humanity. who in this scene ends up showing the most humanity? Interviewer: I guess we all have to take a moment to think and reassess our values now don’t we. Thankyou Ridley for taking the time to speak with us about your inspirations and intentions behind Bladerunner, It has been a pleasure.

Foam Assisted Lift Technology to Improve Recovery Factor

Foam Assisted Lift Technology to Improve Recovery Factor PROCEEDINGS, INDONESIAN PETROLEUM ASSOCIATION Forty first Annual Convention Exhibition, May 2017 Foam Assisted Lift Technology to Improve Recovery Factor from Sensitive Wells, lesson learned from Total EP Indonesie Ramot Sianturi* Jodi Astorifa Anggoro* Muhammad Nadrul Jamal* Chiko Eko Jatmiko* ABSTRACT Total EP Indonesie (TEPI) currently produce ÂÂ ±1600 MMSCFD of gas from 5 major gas fields, which are Tunu, Sisi-Nubi, South Mahakam, Peciko and Tambora. Except South Mahakam and Sisi-Nubi, all other fields are mature and already in declining production. On some very sensitive gas wells, there have been liquid loading problem observed, a phenomena of inability to continuously lift liquid from borehole. The accumulated liquid increases hydrostatic pressure and eventually stop the well production. As a solution, TEPI introduced a Foam Assisted Lift (FAL) technology in 2011 as a pilot phase, and continued in 2012-2013 on more wells part of FAL trials. The principle of FAL is to generate bubbles to reduce hydrostatic pressure, through surfactant injection from surface to down-hole using capillary string (CS) set under specific well intervention arrangement. Starting from the pilot phase, TEPI have performed several improvements and development of robust down-hole equipments, operation, and also the selection criteria of candidate wells. During several phases of FAL pilots, TEPI had defined the selection method and criteria of good FAL candidates; good productivity (defined as Porosity x Net pay thickness), good offload response, condensate and liquid ratio less than 60%, and bottom hole shut in pressure higher than 1000 psi. The new selection criteria was fully implemented in 2015 campaign, and resulted in improved production in 10 wells. FAL is considered as proven technology to maintain production stability of very sensitive gas wells. Keywords: Capillary string, liquid loading, foam assisted lift, selection criteria INTRODUCTION Total EP Indonesia (TEPI) produces ÂÂ ±1600 MMscfd in 2016, it was decreasing sharply from 2010 which could produced ÂÂ ±2000 MMscfd. One of the main challenges to maintain the plateau production of TEPI is the liquid loading issue which means the inability to lift liquid out from gas wells. This liquid loading issue triggers to self killing process as shown in Figure 1. In the beginning of wells life, well produced in high gas rate and relatively dry. Through the time gas production decreases, water starts to be produced and less energy to lift the liquid. As the consequence, liquid will start to be accumulated in the borehole then eventually stop the well production. Liquid loading issue would always happened in gas wells, it just only the matter of time. To minimize and longer wells life, until recently TEPI performs regular offload by decreasing Well Head Flowing Pressure (WHFP) close to atmospheric pressure and flaring, involving substantial means such as testing barge and personnel. These offloading activities present specific risks, not only for safety, personnel, and assets, but also impact in environment from the flaring activity which results in Green House Gas (GHG) emissions. Moreover, this offloading is only temporary solution to boost the production. Therefore, a continuous offloading system is required to maintain the sustainability of production. Several technologies for continuous offloading are shown in Table 1. Based on Table 1, the most possible technology to be applied is Foam Assisted Lift (FAL) through CS considering no energy required, comply with company rules, and less cost compare to others. Principal of FAL is by creating foam at down-hole to reduce the hydrostatic pressure at wellbore in order to help the lifting of liquid to surface. The process sequence of FAL is shown in Figure 2; Addition of surfactant inside the well will reduce gas-liquid surface tension The reduction of surface tension will impact to the reduction of liquid density Hydrostatic pressure will be reduce as the impact of lighter liquids density Reduction of hydrostatic pressure will give more drawdown, delta pressure between reservoir pressure and bottom hole flowing pressure (BHFP) Additional drawdown will give more gas rate production Technology FAL has been developed in TEPI in 2011 as a pilot phase and continued in 2012-2013 on more wells as part of FAL trials. Starting from the pilot phase, TEPI have performed several improvements and development of robust down-hole equipments, operations, and also the criteria of candidate selection. CAPILLARY STRING INJECTION SYSTEM Down-hole Equipment CS down-hole system is an additional tubing (injection system) that inserted inside production tubing. Even though additional CS inserted inside, TEPI still complies and respects to safety by keeping down-hole safety valve (DHSV) installed. It is mandatory to equip subsurface safety valve in onshore and offshore wells in TEPI for safety purpose as second barrier if any damage or malfunction of surface system happened. Initially the DHSV opening and closing is controlled by hydraulic pressure from control panel but after equipped with CS down-hole system, the opening and closing is controlled by surfactant pressure from surface surfactant facilities. DHSV in CS well is inserted or incorporated in a Weatherford Injection and Safety Hanger (WISH). The WISH hanger also locks the CS tubing, top and injection valve, and dual check valves as shown in the Figure 3. Dual check valves are used at top and bottom injection valve to prevent well pressure from production tubing entering the system in CS tubing and DHSV control line. Besides that, the purpose of dual check valves also to prevent reverse flow of surfactant or fluid s from wells which is potentially could cause plugging. Top injection valve installed immediately after WISH with purpose to pressurize and open DHSV at certain cracking pressure (ÂÂ ±2000 psi) then it will allow surfactant to flow to bottom part of CS tubing. Bottom injection valve is installed at the bottom part of the tubing with purpose to inject surfactant inside production tubing. Surface Facilities Surface facilities were designed to allow the surfactant injection from surface to wellbore with consideration to safety aspect, production reliability, and production availability. Whole surface facilities in CS well are shown in the Figure 4. CS surface facilities consist of several equipments as follow: Surfactant tank; Tank that used shall be made from metallic tank since based on MSDS, surfactant is consider as flammable fluid. Pump; Surfactant injection pumps type is positive displacement driven by instrument gas. In the earlier phase, installed pump is only one but due to the frequency of pumps failure, it is decided to install dual pump with philosophy one in operation and one as back-up. Pressure Switch High-High (PSHH); PSHH is installed to protect the equipment from overpressure due to blocked outlet discharge of surfactant injection line or reverse flow from reservoir. Pressure Switch Low-Low (PSLL); PSLL is installed to identify any leak/ rupture in the injection line or to identify if the pump stop working that could lead to pump cavitations. Pressure Safety Valve (PSV); PSV is installed at discharge line of pump to protect the surface facilities Surfactant Criteria that shall be considered during surfactant selection process are the foam efficiency and stability. Several laboratory tests have been performed to check and validate these two criteria. Qualifications of surfactant that been used in TEPI are as follow: The product could be used high temperature environmental ( ÂÂ ±1760C) since it would be injected up to wellbore No plugging issue cause by surfactant if injection stopped Compatible with other chemicals that injected in the flow-line, i.e corrosion inhibitor CANDIDATE SELECTION In the early phase on 2011, candidate of CS wells were selected based on the wells behavior (stable or intermittent flow), offload frequency, turner rate, and response to shut in for pressure build up (SIBU). The preliminary step for candidate selection is the wells behavior review before going in to deeper to the other criteria. A well that suffered with liquid loading could be identified by increasing of water production rate, and then followed by sudden decrease of gas production rate and decreasing of liquid lifted to surface that corresponding to the critical/ turner rate reached. The trend of WHFT also gives a good sign to do preliminary selection. Case 1 Well with Low Productivity and Low Gas Rate during offload Figure 5 is one of CS wells production evolution profile that selected based on the selection criteria above. As shown in the graph, the well still gave response to the offload that performed on October 2012 with high water production, ÂÂ ±700 bwpd but in limited gas rate, ÂÂ ±0.5 MMSCFD. This well clearly shown outflow problem as describes on liquid level column inside well based on pressure and temperature survey that given on Figure 6. CS was installed on May 2013, but there was no significant improvement in gas production even it was clearly confirmed that the well has issue in liquid lifting. Existence of water and response to offload could not ensure the successful of FAL, cut off of gas rate required to ensure the agitation and mixing between liquid and gas needs to be defined as well. Besides that, the productivity of the well needs to be checked as well. As shown in the IPR and VLP curve, well with higher productivity will give higher gain in any changes on VLP shape. Case 2 Well with Higher Condensate Liquid Ratio Figure 7 is sample of CS well that have high condensate ratio in liquid, ÂÂ ±80% of condensate in liquid. Based on the graph, gas rate production since October 2012 shown decreasing trend but still responsive to SIBU and offload (Qgas rate offload on August 2013 gave value ÂÂ ±1.5 MMSCFD). Considering the initial selection criteria, this well was a good candidate for CS, but after installed with CS, there was no significant improvement. Unsuccessful result potentially caused by the existence of high condensate rate. Since surfactant that used as FAL is water base, it would create foam if only water exist in the certain composition. If liquid consist more condensate, foam will not be created and the impact potentially will give additional back pressure to the well itself. Case 3 Well with Low Bottom Hole Shut In Pressure (BHSIP) Well in Figure 8 was installed with CS since August 2013. As shown in the graph, even though the well shown positive response in offload (Qgas rate at ÂÂ ±3 MMSCFD) and mainly produced water instead of condensate, the result after CS installation did not show positive improvement. Reviewing further from reservoir point of view, this well indicated a good productivity but the pressure (BHSIP) has been at low value. Based on the result on CS wells that selected based on criteria above (conventional approach), found that criteria above were still not capable enough to give higher success ratio. As in cases above, several parameters should be included in the selection process, such as productivity, response to offload, condensate liquid ratio, and BHSIP. Statistical approach has been performed to define the new selection that could give higher success ratio. Based on the review, parameters or criteria that could improve the success ratio are as follow: Productivity As shown in the Figure 5, more gain could be reached in the high productivity wells. The unloading of well with FAL through CS would give additional drawdown in front of the reservoirs. In the same drawdown, the higher gain would be given by the well with higher productivity. In TEPI, the productivity is represented by the height multiply with the porosity. The higher the height and porosity, the higher would be the productivity. In order to improve the success ratio of CS wells, TEPI implemented the cut-off productivity at value 250. Response to Offload FAL by surfactant does not bring any additional energy to the system. The well itself should be able to revive by itself in order to activate the foaming effect efficiently and effectively. Therefore, response to the offload is important to confirm CS candidate prior the installation. Good candidate for CS shall have an improvement in gas rate and liquid production at atmospheric pressure compared to LP. Based on review in existing CS wells, cut-off value to confirm candidate CS that implemented in TEPI is 1.3 MMSCFD in offload condition. Condensate liquid ratio Condensate is natural killer of foam. It would collapse the existence of foam. Based on laboratory test, minimum of 40% water in the liquid is still sufficient to create effective and stable foam. Therefore, the ratio of condensate and water needs to be considered as well during the selection candidate process. BHSIP BHSIP value could be used to represent reservoir pressure. Therefore, candidate for CS wells shall still have high BHSIP, it would not be too depleted reservoirs. Even though BHISP is used as one of the criteria, needs to be careful in the selection process since higher BHSIP could be also due to higher liquid column. Case 4 Well that Selected Based on New Selection Criteria New selection criteria that are included the cut-off productivity, gas rate during offload, condensate liquid ratio, and BHSIP have been fully implemented in 2015. TN-H13 is one of CS well that already selected based on this selection criteria. Productivity that represents by the value of height multiply with porosity is ÂÂ ±460 meanwhile the cut-off is at 250 Last offload that performed on August 2013 still gave value at 2.6 MMSCFD meanwhile the cut-off is at 1.3 MMSCFD Condensate ratio was at ÂÂ ±34% before CS installed meanwhile the cut-off is at 60% BHSIP based on pressure and temperature monitoring is at 1600 psi meanwhile the cut-off is at 1000 psi As shown in Figure 9, Production trend from point A (February 2014) to point B (May 2014) shown decreasing trend and limited water lifted to surface. In the end of May 2014, after reviewed based on new selection criteria, well gave significant improvement in gas rate after installed with CS. Gas production from point B (ÂÂ ±0.7 MMSCFD) increase to point C (ÂÂ ±2.5 MMSCFD) and then gave stable production. Good response to the FAL technology also given by the increasing of water rate that could lifted to surface. These new selection criteria have been fully implemented in 15 wells along 2015 and gave production improvement in 10 wells. DOWNHOLE MEMORY GAUGE As part of learning process, beside define the new selection criteria, the impact of surfactant injection rate on reduction of BHFP needs to be evaluated as well. The method to evaluate this BHFP reduction is by installing memory gauge at the edge of CS tubing. Total memory gauges installed are 5. TN-H13 is selected based on the new selection criteria and it gave positive result in gas production after installed with CS. Positive impact on the gas production could be explained in Figure 10. Performed test was by varying the injection rate through several periods. It was started with low injection rate to maximum injection rate. Stabilization period was given each time injection rate changed. The purpose of stabilization period is to have same baseline in each step of injection rate. Increasing of injection rate gave inline result with increasing pressure reduction of BHFP. At the end of the trial, surfactant injection was stopped in order to see the impact in pressure reduction of BHFP. From Figure 10, it is clearly shown that by stopping surfactant injection, BHFP would be back to initial value. Therefore, it could be concluded that the addition of surfactant obviously gives positive response to production improvement. The addition of CS gave reduction of BHFP by 160 275 psi, which means additional drawdown is given to the well that will impact to additional gas rate. CONCLUSIONS Fully implementation of new selection criteria (productivity, response to offload, condensate liquid ratio, and BHSIP) are applied in 2015 campaign. It is confirmed that the implementation could improved production in more than 10 wells. Surfactant injection inside the well that suffered with liquid is confirmed could give additional drawdown that impact to the addition of gas rate production as confirmed from memory gauge installation result. FAL is considered as proven technology to maintain production stability of very sensitive gas wells. ACKNOWLEDGEMENTS The authors gratefully acknowledge permission from SKK MIGAS, INPEX, and TOTAL to publish this paper. Our biggest gratitude is also gives to all parties who provided valuable comments and inputs during the preparation of this paper. REFERENCE Lea, James, Henry Nickens, and Mike Wells. (2008). Gas Well Deliquification. 2nd Edition. Gulf Professional Publishing. Table 1. Dewatering Technologies Figure 1. Liquid Loading Phenomena in Gas Wells Figure 2. Process Sequence of FAL Figure 3. CS down-hole configuration Figure 4. Process Flow Diagram and Emergency Shut Down (ESD) system Figure 5. Production Evolution of TN-B1 Figure 6. Gradient Pressure in Shut in and Flowing Phase of TN-B1 Figure 7. Production Evolution of TN-N25 Figure 8. Production Evolution of TN-P13 Figure 9. Production Evolution of TN-H13 Figure 10. Memory Gauge Result of TN-H13

Essay -- Papers

Contrasts in William Shakespeare's Romeo and Juliet â€Å"Romeo and Juliet† is a famous romantic drama written by William Shakespeare containing many contrasts within it, portraying the eponymous lovers’ everlasting love for one another. The conflict between the two families; the Montagues and the Capulets makes it almost impossible for them to be together. The play consists of romance and humour building up to the climax of Romeo and Juliet’s death. In the play we are first introduced to the servants Sampson and Gregory, from the Montague household, who have a similar lifestyle to the servants in the Capulet household, who are trying to keep up the reputation of the families. The Capulet household are holding a party where the servants are busy getting food, drinks and decoration ready, whereas Lord and Lady Capulet live the life of luxury where they simply think about marriage, money and parties. In the film we see that the servants are dressed down in black tatty clothing while the upper class people; the masters are wearing bright elaborate clothing. In Franco Zeffirelli and Baz Luhrmann’s interpretations of the play, they show this because they wanted to emphasise the status between higher and lower social people. The dark clothes also represent the darker days and shows that the servants are emotionally sad, but the masters are expressively happy. The language of the servants compared to the masters is very different. The servants are illiterate and not educated; however, the masters are highly educated and very posh, they can afford schooling, whereas the servants could not. Shakespeare shows this when the servant spea... ...her innocence, beauty and purity. Tybalt is a devil because he is likes to fight, he is evil, seeking trouble and devious. Paris is an astronaut who is rich, successful and out of this planet representing why he is the right person for Juliet to get married to. Lord and Lady Capulet are king and queen of Verona Beach and dress up as Marc Anthony/Julius Caesar and Cleopatra who also die in a similar way to Romeo and Juliet. This play is full of many opposites and contrasts: love and hate, peace and conflict, young and old. It is all mainly to do with historical, cultural and social context. The play sadly ended with the two star-crossed lovers having to give their life for their families to end their fighting. Romeo and Juliet end with these words: â€Å"For never was a story of more woe than this of Juliet and her Romeo†.

Harley davidson analysis Essay -- essays research papers

1. COMPANY OVERVIEW Harley Davidson Inc. was found in 1903 by William S. Harley and Davidson brothers- Walter and Arthur. Since then the company has produced the most recognized motorcycles in the world. The company has been named to Fortune’s list of â€Å"100 Best Companies to work for†. The company has also been ranked #3 in automotive quality behind Rolls-Royce and Mercedes Benz by Harris Interactive, a worldwide market research and consulting firm. Harley-Davidson, Inc. is the parent company for the group of companies namely Harley-Davidson Motor Company, Buell Motorcycle Company and Harley-Davidson Financial Services. Harley-Davidson Motor Company, the only major U.S.-based motorcycle manufacturer, produces heavyweight motorcycles and offers a complete line of motorcycle parts, accessories, apparel, and general merchandise. Buell Motorcycle Company produces sport motorcycles. Harley-Davidson Financial Services provides wholesale and retail financing and insurance programs to Harley-Davidson dealers and customers.   Ã‚  Ã‚  Ã‚  Ã‚  Jeffrey L. Bleustein is chairman of the board and CEO of Harley Davidson Inc..   Ã‚  Ã‚  Ã‚  Ã‚  There are more than 1,300 Harley-Davidson dealerships in 48 countries worldwide.   Ã‚  Ã‚  Ã‚  Ã‚  The company has employed 8,000 people worldwide and the corporate headquarters located in Milwaukee, Wis; East Toy and Tomawauk, Wis; York Pa; and Kansas City, Mo. Other key business operations are located in Chicago, III.; Franklin, Wis.; Talladega, Ala; Highland Heights, Ohio; Ann Arbor, Mich.; Carson City, Nev.; and Plano, Tex.   Ã‚  Ã‚  Ã‚  Ã‚  Harley-Davidson maintains operation in strategic international markets throughout Europe, and in Brazil and Japan to support its worldwide dealer and distributor network. Source of revenues for Harley Davidson : -  Ã‚  Ã‚  Ã‚  Ã‚  Selling motorcycles -  Ã‚  Ã‚  Ã‚  Ã‚  Harley Davidson financial service -  Ã‚  Ã‚  Ã‚  Ã‚  Parts and accessories 2. VISION, MISSION AND GOALS Vision To dedicate, to grow value and strengthen the brand, Harley-Davidson deliver products and deliver the services that fulfill dreams. Mission To fulfill dreams through the experiences of motorcycling by providing motorcycles and to the general public an expanding line of motorcycles... ...buyers (increased from 2% total sales before adopting to 9% in 2003). The company found that woman more likely to purchase after taking training course   Ã‚  Ã‚  Ã‚  Ã‚  Financial service to make it more affordable Operations The company’s expansion plan of its York and Pennsylvania expects to allow the company to increase production to 400,000 units by 2007. Distribution   Ã‚  Ã‚  Ã‚  Ã‚  Through dealerships   Ã‚  Ã‚  Ã‚  Ã‚  Showrooms offer a large assortment of clothing items and accessories in addition to new motorcycles   Ã‚  Ã‚  Ã‚  Ã‚  Dealers are responsible for operating showrooms, stock parts and accessories.   Ã‚  Ã‚  Ã‚  Ã‚  161 dealers in Japan.   Ã‚  Ã‚  Ã‚  Ã‚  50 dealers and 3 distributors in Australia and New Zealand.   Ã‚  Ã‚  Ã‚  Ã‚  7 dealers in South East Asian and East market. Infrastructure   Ã‚  Ã‚  Ã‚  Ã‚  Public listed company   Ã‚  Ã‚  Ã‚  Ã‚  Quality system   Ã‚  Ã‚  Ã‚  Ã‚  Strategy & planning are not clear

Star Trek - The Next Generation :: essays research papers

Star Trek - The Next Generation   Ã‚  Ã‚  Ã‚  Ã‚  Star date: 41176.8 Captain's log. This is my (Captain Jean-Luc Picard of the U.S.S. Enterprise #NCC-17O1 D) account of the events leading up to and beyond the Federation and Romulan war (2380-2385 AD).   Ã‚  Ã‚  Ã‚  Ã‚  Star date: 32851.2: The Enterprise received a distressed call from a fleeing scout ship. SOS... I am ... under ... attack!! request ... asylum ... Federation ... Space!!..   Ã‚  Ã‚  Ã‚  Ã‚  The ship was pushing the limits of its engines as it hurtled out of the neutral zone -- the volume of space that serves as a no-ones-land separating the United Federation of Planets and the Romulan Empire. A powerful Romulan warbird was mercilessly firing wave after wave of disrupter blasts at the small defenseless scout ship. Once the scout was in Federation space, the warbird broke off the attack and quickly retreated back to Romulan space.   Ã‚  Ã‚  Ã‚  Ã‚  We hailed the ship and found out from her captain that he was alone. His name was Shaq, captain of the Check Mate. He claimed to be a Romulan captain in search of Federation asylum. I had never heard of such a thing; in Romulan society, loyalty to the Romulan Empire is more sacred than life itself. In any event, I was certain that we would learn a lot more during the next few days.   Ã‚  Ã‚  Ã‚  Ã‚  Star date: 32851.5: Captain Shaq claimed that he was defecting in order to prevent intergalactic war. He told us that the Romulan Empire has plans for an abominable new weapon for use against the Federation and any others who might dare to resist total domination of the Romulans. The weapon, called the Metagenic Device, would be launched from orbit to any planet and release a deadly virus throughout the planet's atmosphere. The virus would then quickly infect all forms of life and cause fatal mutations in the DNA of its victims. Within twenty-four hours, all life would cease. Within thirty-six hours, the virus itself would break down becoming inviolable, leaving the planet's resources free for plunder.   Ã‚  Ã‚  Ã‚  Ã‚  At this time we did not know if we should trust Captain Shaq, so I decided to send an away team to investigate his ship and its computer record. As I was ordering my number 1 officer, Commander Riker, with the away team over to the Checkmate, Shaq warned me against such action claiming that he had initiated a self-destruct sequence before leaving his vessel. Seconds later, the scout ship exploded. We immediately questioned Captain Shaq as to why he initiated the self-destruct. He replied, that though he wanted to prevent the war, he was no traitor and would not willingly give up the secrets of his

Castaway Movie Analysis-Journeys

‘Castaway ‘, directed by Robert Zemeckis, is a 2001 film starring Tom Hanks. Hanks stars as Chuck Noland, a FedEx delivery man whose life is headed in the ‘right direction’, until his plane crashes and he is stranded on an island. He must adapt to his new life on the island; overcoming many obstacles in order to survive. ‘Castaway’ explores three different journeys; physical, inner and imaginative. Chuck Noland is a filmic representation of the philosophy of time equals money equals fulfilment.Zemeckis is deliberate in his obvious manipulation of the responder as he uses a multitude of filmic techniques to create a connection between the audience and Chuck. The physical journey in ‘Castaway’ is Chuck’s struggle to survive all the obstacles of living on the island and his journey to get home. On the island his inner journey of self discovery is about learning what is really important in life. After he returns home he must learn to adapt to normal society and overcome his traumatic ordeal. Chuck’s imagination is also taken on a journey when he creates a companion out of a volleyball, whom he shares all his ideas and secrets with. Castaway’ is a film that is rife with symbolism. The director has purposefully included an array of different signs that convey various meanings and concepts within the film. The first shot of the film is that of an old road and as the camera pans to the left we see a van driving towards a crossroads. Immediately, these images of the road and the crossroads connote that a journey is going to take place. They symbolises that the unknown protagonist is going to come to a point in his life where he will be unable to decide where he is going.As a result of the cyclic structure of the film, we see Chuck both physically and mentally arrive at the same crossroads from the opening scene. As a result of his years spent on the island is undecided about where he is heading so h e pulls over and is given directions. He moves out into the middle of the crossroads and considers which of the four roads he wants to travel; knowing that whichever option he takes will lead to a different destination both physically and internally. The film ends with a close up of Chuck’s face as he gazes down his chosen path.The responder is left in a state of deliberate uncertainty about which path he has chosen. The audience can be certain of one thing; his choices in life will be forever influenced by his ordeal. By leaving the ending open to interpretation, Zemeckis leaves the responder debating over which direction Chuck would have headed both in his car, and in his life. During the film we see the package with the angels wings painted on it frequently. The parcel becomes the first person as we follow it to the destination. This personifies the package and gives the responder the impression that this package will be almost like another character.This package is one th at washes up on the island with Chuck and is the only package he does not open. Wings are symbolic of flying and being lifted. The wings package raises Chuck’s spirits and gives him hope that one day he will be able to deliver the package to its owner. The audience never find out what was in the parcel. This fosters a sense of mystery and intrigue in the responder. Would the contents of the box have changed the outcome of Chuck’s life? Time is a motif that is heavily emphasised in this film. Clocks are effectively placed in the mis en scene, demonstrating that Chucks’ life is controlled by time.He believes organisation and time management is the key to his happiness. The gift his girlfriend, Kelly, gives him is a pocket watch with her picture inside and it is one of his only possessions on the island. While on the island the importance he placed on time fades, as his life is now run by nature. He finds himself alone with a limitless amount of time but with nothi ng to do during it. He stares at the watch for long periods, not because of time but because of the picture of Kelly in it. Like the wings package she becomes his symbol of hope and his motivation to get off the island.His determination and faith serve to evoke optimism within the responder and it gives them hope that Chuck will continue to survive until he gets off the island. The impact time has on his life is also evident when he is admonishing FedEx employees. He states â€Å"We live or we die by the clock. Never allow ourselves to commit the sin of losing track of time. † He says the same thing to the volleyball, Wilson, when he is planning their escape off the island. The context of when he says it changes the meaning of this quote.The first time it is said he is passionately trying to get workers to be more efficient and the quote is an exaggeration. The second time Chuck makes this remark, death is actually a serious option. Although the timing of his escape is import ant to him, time is not what is driving him anymore, instead his desire to get back to Kelly. The volleyball, Wilson, becomes Chuck’s only companion on the island. Wilson is Chuck’s need for companionship personified. Wilson is a part of Chuck as Wilson’s face is made of his blood and is the physical manifestation of Chuck’s mental state. â€Å"I know you. Chuck repeats to Wilson and this signifies that Chuck is aware that Wilson is a part of him while demonstrating Chuck trying to reassure himself of who he is. When Wilson is lost at sea, Chuck is devastated at losing his ‘friend’ and one of the only things kept him sane on the island. Chuck’s palpable anguish evokes sympathy and grief within the responder. Chuck’s physical journeys are common and the directors’ choice of having him works for FedEx is intentional. The scene where the audience is shown photographs of him with various modes of transportation also indicate that Chuck is a well travelled man.However, he does not understand what life is really about. It is not until he is stranded physically that his inner journey begins and he realises what is really important in life. This concept forces the responder to ask themselves whether what they value most in life is really all that important. The use of diegetic and non-diegetic sounds is particularly effectual in contrasting Chuck’s life on the island with that of his old life. For the whole time that Chuck is on the island only diegetic sounds such as waves, wind and thunder is heard.The sounds of wildlife have been cut from the scene also. Zemeckis has done this to highlight the fact that Chuck is completely isolated. The first non-diegetic music we hear is when Chuck is watching the island disappear in the mist as he rows away. Even without the visual we know that Chuck is now leaving the island. The lighting in ‘Castaway’ is central in showing Chuck’s isolatio n on the island. During storms, especially the initial one which causes Chuck’s plane to crash, lightning and moonlight is all the light used in the scene.The lightning during the storms is hard key lighting and creates a sense of fear danger on screen and amongst the audience. The shadows that are cast on Chuck’s face from fire light and lightning show his vulnerability and panic. Zemeckis uses over the shoulder shots and close ups frequently on the island. This is done so the responder feels as though they are on that island with Chuck. The point of view shots that are used on the island are particularly useful in showing Chucks’ isolation. At numerous points we see the vast expanse of ocean through Chuck’s point of view.This technique once again highlights his loneliness and desperation to find another living companion. The bird’s eye view shots show Chuck, alone, surrounded by nature, highlighting his solitude. Panning camera movement is used r epeatedly to introduce the viewer to the landscape of the scene. Zemeckis uses zoom to focus the responder’s attention on Chuck which enables them to discern his emotions from his facial expression, rather than dialogue. There is minimal dialogue used in ‘Castaway’. This is again used to demonstrate the characters segregation but it also serves another purpose.Minimal dialogue places greater emphasis on the other devices such as camera usage, music and lighting and it relies on these devices to convey the journeys. The 2001 drama film, ‘Castaway’ is an excellent example of a film encompassing physical, inner and imaginative journeys. The director, Robert Zemeckis, has exploited numerous filmic devices to allow the responder to experience the film as though it were reality. His effective use of symbolism, camera shots and angles, sound and lighting influences the responders’ view of the film.